Honored to once again collaborate with my brothers from another mother at Filmograph on a title sequence for this feature length horror film.
Aaron Becker designed the stills, approaching the triple digits. We then printed them all out individually, pasted and stack them on top one-another, and then cut, ripped, and blood splattered our way through the night in stop-motion animation bliss. Was it as romantic as that sounds? Yes. Yes it was.
This sequence went on to win Gold at the Saul Bass awards for title design.